SCA to professional, was: RE: minstrel: Enough folks
Catherine Sayre
sayrecatherine at hotmail.com
Sun Mar 24 18:55:49 PST 2002
As a new member of the list, I am glad that this arguement is over. I just
wanted to learn period songs. I have a decent singing voice and I have
learned a few period ballads but I can not find any decent references with
written music. My persona is 15th century German but I am not ready to
tackle German Ballads in German. I am more interested in English Ballads at
this time. Any help would be appricated.
To the lady who shakes when she plays, all I can recommend it keep playing
in public. With time the shakes will go away. Also, most people watching
you do not know that you are shaking. I know that knowledge helps when I am
nervous.
>From: yarrowp <yarrowp at mscd.edu>
>To: minstrel at pbm.com
>Subject: SCA to professional, was: RE: minstrel: Enough folks
>Date: Sun, 24 Mar 2002 16:24:31 -0700
>
>So, to bring this a bit more on topic,
>
>For a while, one of Lark in the Morning's company musicians was harper
>Laurie
>Riley, who very early in her career went by (I believe) Brenna the Harper
>in
>the SCA. Laurie has had a successful career, including publishing several
>books, issuing multiple recordings, and founding a school for aspiring
>musical
>practitioners (a branch of musical therapy dealing with playing music at
>bedside for the critically injured).
>
>Can anyone think of other SCA musicians who have "gone pro"? If so, what
>sort
>of music are they recording and performing? How many have remained in the
>Society? Does the Society nurture aspiring professionals? Do professional
>musicians "outgrow" the SCA?
>
>Vivien
>
>
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