Titles
Dave & Laura McKinstry
dalm at enterprise.america.com
Wed Feb 7 10:21:25 PST 1996
We've had some discussion here about what you shouldn't call yourself,
if you want to be accurate, but I'm curious about what I SHOULD call
myself, and I'd like to hear what the rest of you think.
My persona is Irish, 1649, female. I'm a novice harper, I play guitar
and in the future I'll add a viola (I'd love to have an authentic viol,
but they're a bit scarce.) I do instrumentals, I sing, I write songs
that record the history of the current middle ages as it happens (ie,
epic ballads) and I plan to teach medieval history and current middle
ages history via song and storytelling. I plan to perform at feasts,
busk, and develop patrons - ie, enter a contract between myself and a
given household whereby I dwell in their camp through the next X events,
entertain them and write epic ballads that record their heroic deeds in
the best light possible, in exchange for food and beverages, or
whatever. I also want to be part of a dance consort, if I can find one
that needs a viol or harp. I'm also a storyteller and poet, and will
tell tales about the present, the past, mythology, and the
constellations (from the viewpoint of several cultures.)
Thus, I'm a performer, singer, songsmith/poet, and educator/storyteller.
I believe this would have fallen under the category "harper" in Ireland
at roughly or before the era I'm from, but these days, harper simply
means a person who plays a folk harp, so the current definition might
interfere with the ancient one.
Correct me if I'm wrong, but a bard limits himself to learning and
composing verse that records history, and I've heard conflicting stories
on whether there was ever any music involved, though if there was it was
only for memory aid and wasn't supposed to be particularly noticable -
also, confilcting stories over whether bards were only in the houses of
great nobles, or down with the common folk (the verse that survives, I
believe, is written in the commoners tongue, arguing the less popular
side of that debate.). A troubador or trouvere is a noble who writes
lyrical poetry to monophonic music, then gets a jongleur to perform it
because performing is too base a thing for a troubador or trouvere to
do. A jongleur is one who is an all-around freelance entertainer, doing
acrobatics and juggling as well as singing, though there were jongleurs
who focused pretty strictly on creating and performing music, who came
to be called minstrels. The troubador/trouvere tradition moved into
Germany, where they bacame known as minnesingers. When Minnesingers
passed out of popularity (their music, like the troubador/trouveres, was
not particularly enjoyable, as they focused on verse, which was
unsurpassed) the Meistersingers took over the movement, meistersigers
being the bourgeois version of the minnesinger. Meistersingers didn't
get far, because by then, people were tired of gorgous lyrics coupled
with dull music.
So, if you were me, and you had three seconds to explain to a lord whom
you wished to have as a patron what it was that you did, what would you
say? Harper, and risk your creative talents to go unknown? Balladeer,
and hope that gets the picture across as well as possible? Or would you
go for a less pretty term like creative musician/teacher/storyteller?
(ick!)
I've been using the term "bard" not for its historical accuracy, but
because of how it is recognized in the SCA. A bardic circle is a place
where people sing, tell stories, recite poetry, or whatever else it is
they wish to do, which covers a great deal of what I wish to be known
for (and making a name for yourself can be an awfully slow process,
so any speed you can give it is a good thing - especially since we're
moving soon, I think, and I'll have to start all over.)
The kingdom of Trimaris (and others for all I know) has a title
"troubador laureate" for whomever wins the semiannual competition of
songwriting, and the troubador sings it himself, which goes against the
ancient troubador dictum, of course. It seems to me that as time has
gone by, the meanings of these words has altered to the point where we
simply aren't in tune with what used to be, and I don't think this is a
thing we can change, really. We of the bardic mailing list can lay down
rules if we want (which I don't think we do) that certain words mean
certain things, sticking to the ancient definitions or otherwise, but
that won't change what a peer thinks when you say that you're a
troubador, or what have you.
Pardon if this all seems inconsequential, but it's really driving me
right up my harpstrings. There is no word for what I do! And I swear
there is historical precedence for what I do - in the country of my
persona's origin. Am I missing something? I am rather new to this,
after all.
Any thoughts are welcome.
-Lark
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